After 45 Years, “Sesame Street” Remains Mission-Driven
"Sesame Street" has experienced an enormous amount of change since kids first met Big Bird in 1969. Some of the creative minds behind the show, speaking at an association conference over the weekend, say staying focused on the mission has been key to its success in remaining relevant for nearly half a century.
Heads up: this content is over 5 years old, so some information may be out of date.
Big Bird, Cookie Monster, Elmo, and company have entertained and educated children on âSesame Streetâ for over four decades, but they also have something to teach grown-ups about staying power.
A contingent from the âSesame Streetâ team, including Cookie (performed by David Rudman) and Abby Cadabby (Leslie Carrara-Rudolph), brought their message (opens in a new tab) to attendees at the Online News Association annual meeting in Chicago last weekend. A key ingredient in the showâs long-term success, they said, has been its ability to stay keenly focused on its missionâto help kids grow smarter, stronger, and kinderâwhile growing and adapting to new technologies.
âThereâs just an incredible sense of pride being a part of the Sesame Workshop,â said Christine Ferraro, a script writer and lyricist for the show. âWe are the only one in the business of childrenâs television who are nonprofit and mission-driven. Itâs pure magic on the set because every one of us is there for the same reason, and the mission is that reason.â
Carrying out that mission means understanding kidsâ specific, and changing, educational needs, said Carol-Lynn Parente, senior vice president and executive producer at Sesame Workshop.
âWhat most people donât know about âSesame Streetâ is that we have a curriculum seminar every yearâ where the team discusses possible initiatives for the show, Parente said. For example, âvocabulary was one of the things that was highlighted as a need. Itâs alarming, the difference between lower-income and middle-income kids. Thereâs a word gap with a difference of about 20,000 wordsâŠso we came up with a segment called âWord on the Street,â where we introduce one vocabulary word every day.â
âSesame Streetâ also began to create outreach videos that didnât air on television but were available online (opens in a new tab) and targeted specific audiences. These videos, which addressed deeper issues that kids might face, brought criticism that the show shouldnât cover heavy topics like incarceration, divorce, and loss. But Ferraro, who has worked on several of the outreach projects, defended them.
âThere are children who are affected by these issues,â she said. It can be âdifficult to find just the right balance, because these are difficult topics. But at the same time, youâre dealing with puppets, and there has to be an element of lightness to it as well. And the message has to be hopeful in the end, and hopeful in terms of comfort and where you can turn to for friends.â
The panel also credited the showâs ability to experiment with new technology and connect with other elements of pop culture in helping it remain relevant over the years. Gone are the days of âC is for Cookie.â Instead, the big blue puppet can be found tweeting (opens in a new tab) out the link to his latest music video, âShare It Maybeâ:
âThe whole creative process has to adapt to the new technologies,â Parente said. âI often think that what weâre doing with digital platforms that are being invented every day must have been what [show creator] Joan Cooney felt like she was dealing with with television in 1969, like it was a real experiment to see if television could be used for educational purposes. Now weâre dealing with all sorts of technologies on all sorts of platforms that have even more educational potential.â
Sesame Street’s Leslie Carrara-Rudolph, shown with her puppet, Abby Cadabby at the 2014 ONA annual meeting. (photo by Akash Ghai/Online News Association)
Comments
Comments are for ASAE members. Learn more about comments on this site.
Log in to your member account or join ASAE!