Teachers’ Group Launches Effort to Reclaim “Theater Kid”
The Educational Theatre Association’s #ProudTheatreKid campaign caught attention on social media, providing a boost to its advocacy message.
A national theater organization launched a pop-up campaign to push back against the increasingly pejorative use of the term “theater kid,” galvanizing its member base in support of its advocacy goals.
On December 21, the New York Times published an article titled “Move Aside, Snowflake: ‘Theater Kid’ Is the New Go-To Political Insult.” The story showed how the term has been used to criticize New York City mayor Zohran Mamdani, Senator Alex Padilla (D-CA), and other Democratic lawmakers.
The story naturally caught the attention of the Educational Theatre Association (EdTA), which represents theater-education professionals and supports middle- and high-school theater students through its awards and foundation programs.
“We absolutely felt like there was no space to not respond,” said EdTA Executive Director Dr. Jennifer Katona.
This felt like a line in the sand for everybody.
EdTA Executive Director Dr. Jennifer Katona
According to Katona, the organization has two million alumni across its 97 years of existence. “That’s two million theater kids,” she said. “The theater kid is our brand. It’s who we are, it’s who we care about, it’s who we talk about every day. We take a lot of pride in that, and we truly believe that a theater program in a school is not just about the performances, but about all the skills that are developed for students’ involvement in that, and also what that program does to the school and the community at large.”
Though EdTA’s staff was largely off for the holiday break, it developed a rapid social-media response, using the hashtag #ProudTheatreKid on Facebook, Instagram, and LinkedIn. “Theatre kids are academically strong,” the posts read in part. “They are emotionally intelligent. They are collaborative leaders and creative thinkers.” Readers were encouraged to share their own theater experiences growing up.
The posts struck a chord with EdTA members theater fans in general. The Broadway industry bible Playbill covered the campaign, and the posts drew more than 1,200 shares on Facebook and more than 7,700 likes on Instagram. “If it wasn’t up by that evening, it was the next day,” Katona said. “It’s probably four or five times the reshares, if not more, that we usually get,” she said.
More than just attempting to blunt the use of “theater kid” as an insult, the campaign has given EdTA a platform to promote its advocacy work entering 2026. Last week, EdTA used the term “proud theatre kid” as a way to encourage registration for its annual March advocacy summit, which includes a visit with legislators on Capitol Hill and workshops on how participants can promote theater education in their own communities.
“This comes at a time of years of their craft being under attack, with no-drag bills, the slicing of budgets, and the way some of our states and teachers have been censored,” Katona said. “So this felt like a line in the sand for everybody. This is really propelling us into action. It goes beyond just asking people to change your Facebook status. It’s: Let’s try to come together and go to DC and talk about the value of what we do. That’s where we’re taking it.”

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